Kim Production Diary 3

Kim Production Diary

As I mentioned in the last post, Elle, our Production Designer, is beginning to work on images for pre-production. She delivered her first group of pictures this week, and they are AMAZING! They really capture the look I am going for.

Here are a few of them, you can see more on the Kim Website.

KIMskectch01

KIMskectch02KIMskectch03

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Filmmaking Resources Update

I haven’t updated the site for a while with any new resources for Independent Filmmakers. Here are some interesting sites and articles I’ve come across recently.

First off, here’s any amazing interview with Morrie Warshawski, author of Shaking the Money Tree: How to Get Grants and Donations for Film and Video, on raising money for the arts, with a focus on independent films. It’s a little dated on internet stuff, but solid on the timeless aspects of fundraising.

Interview with Morrie Warshawski

Here’s some great advice on how to find name actors for low budget films.

13 Ways to Cast A-list Actors in Mcrobudget Films

Next up, is Film Freeway, a site filmmakers can use to submit to film Festivals. Created as an alternative to Without a Box, Film Freeway is always free for filmmakers (no added fees added to the festival submissions fee) and it has HD online screeners, unlike Without A Box whose online screeners look terrible.

Film Freeway

I linked to this in an earlier post, but it’s worth repeating. It’s an article detailing how Tangerine, a hit at Sundance this year, was shot on the iPhone 5s. It’s essential that independent filmmakers start thinking creatively about how to save money and use their resources wisely.

How One of the Best Films at Sundance was Shot Using and iPhone 5s

Finally, here are some great tips from Mark and Jay Duplass for low budget filmmakers. I love their emphasis on the 250K film, both to retain control and to make sure your money is being used wisely.

This Is How You Do It: 10 Filmmaking Tips from Mark and Jay Duplass



Kim Production Diary 2

Kim Production DiaryAn ongoing series chronicling the production (pre, shoot, and post) of our new movie Kim.

I met with Elle, our Production Designer yesterday, and we had a good talk about the look of the film. We discussed what genre Kim belongs to and agreed that though on the surface it’s a science fiction film, Kim might be better thought of as a surreal dream or nightmare, at least that’s a productive way for us to think about it as we develop the visuals. I like the way Elle thinks. This meeting gives me confidence we are on the right track.

We talked about visual references for the film, Bosch, Escher, Guy Maddin, Under the Skin, but I also suggested she look at Tibetan Buddhist art. It has a deep spiritual character I would like to capture, and a strange balance of stillness and movement, especially in the sculptures. I suggested she visit The Rubin Museum, a treasure trove of Himalayan art and one of my favorite places in the city (free Friday nights to boot!)

I commissioned Elle to do some pre-production art, so we should see some of her work up on the website soon.



Kim Production Diary 1

Kim Production DiaryAn ongoing series chronicling the production (pre, shoot, and post) of our new movie Kim.

This is the first post in what will be an ongoing diary of the production of our new movie, Kim, from pre-production, through the shoot and post-production.

We’re very much at the beginning of the pre-production stage right now, so it’s a perfect time to start a production journal. We’ve got our script, an 80-page feature. We’ve assembled a great team: myself (Bob) as Writer/Director, Producer Leeah Odom, Composer Lenny Gonzalez, Cinematographer Matthew Boyd, and Production Designer Elle Kunnos de Voss.

We have a website for the film that we will continue to develop as the production evolves.

Producer Leeah Odom and I are having weekly meetings either by phone or in person to discuss the film, review the previous week’s accomplishments, and set goals for the next week,

At this point, we’ve identified four key areas that we need to focus on.

1. Finalizing our budget and business plan, so we can start up our fundraising push.

2. Finding a location for the shoot.

3. Beginning to search for and audition the cast.

4. Create awareness and buzz about the project.

More on each of these as the weeks go by. In the meantime, I hope you enjoy these insights and behind the scenes peek at the nuts and bolts of film production.



We Found Our DP for Kim

Matthew Boyd PhotoWe’re very happy to announce that Matthew Boyd has joined the crew of Kim as Director of Photography. Matt is an award-winning Cinematographer who has worked on 13 feature films and over 30 shorts. Originally from Connecticut, Matth got a B.F.A. in Cinematography from the Academy of Art in San Francisco. Films he’s shot have been gone on to award-winning success on the festival circuit and on television.

Matt is smart, dedicated, and talented, and we’re very excited to have him on board. I know I’m personally looking forward to working with him to craft the look and feel of our film.